Andy Warhol Movies

This pop movie about Warhol includes appearances by Henry Geldzahler, Edie Sedgwick and The Velvet Underground.

Nico swigs from a Coke bottle while the camera maintains constant movement, zooming in and out, panning right and left.

An hour-long close-up of Edie singing along to rock songs, making herself up, and talking.

The actor Lawrence Casey begins his screen test by staring solemnly into the camera,. He then lifts his chin slightly and begins an uncanny,...

A second screen test featuring Nico and a Hershey bar — the last being ST245. Camera exercises back and forth, from side to side, swinging,...

Black-and-white version of Mario Banana I, in which Mario enjoys another banana.

This is the debut documentary made by Alexis Krasilovsky, author of "Women Behind The Camera" (Praeger, 1997). Shot on 16mm in 1971, the film covers...

Two nuns take a bath, then meet a sailor on the Staten Island Ferry.

Ondine wears dark glasses and occasionally raises his eyebrows, as if simulating alertness, ut seems to be drifting off to sleep during the film....

Luna appears in one of Warhol’s famous screen tests. Contrary to Warhol’s preferred stasis, she acknowledges the camera with a series of...

One of two(?) 1964 screen tests of Childs. Runs 4 minutes, 30 seconds in length.

The first of two known David Hallacy screen test's, directed by Andy Warhol.

Screen test of Harold Stevenson.

A follow-up to now legendary film Flaming Creatures. This vivid, full-color homage to B-movies is a dizzying display of camp that clearly affirms...

A look at avant-garde filmmaker Marie Menken.

Nico hires a babysitter drag queen (Mario Montez) to babysit her 3-year-old son Ari so Nico can go shopping.

Scenes of Sausalito, California, including boats, the docks, and streets. Eventually, the setting turns to night and boats appear silhouetted against...

Henry Geldazhler was the first curator of 20th-century art at the Metropolitan Museum of Art, and during the early 1960s, was a close friend and...

The camera zooms in repeatedly on Nico’s features, concentrating on her mouth and eyes.

Eric Andersen, wearing a blue-jean jacket and smoking, seems relaxed and cocky, intrigued by the experience of being filmed.